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"A Deputy Inspector General of Police (abbreviated as DIG) is a high-ranking official position in Police in Bangladesh, India, Kenya, Malaysia, Nepal, Pakistan, Nigeria and Sri Lanka. India Indian Insignia for the Deputy Inspector General of Police Deputy Inspector General of Police (DIG) is a rank in the Indian police, just below Inspector General of Police. It is a rank held by Indian Police Service officers who had successfully served as Senior Superintendent of Police or Deputy Commissioner of Police (Selection Grade) and got promoted to this rank. DIG-ranked officers wear Gorget patches on their collar which have a dark blue background and a white line stitched on it, similar to SSPs There is no limit to the number of DIGs a state can have and most states have several DIGs. DIGs are in pay band 4 ( to ) with grade pay . Bangladesh DIG Rank Badge of Bangladesh Police In Bangladesh Police, the post of a Deputy Inspector General of police is an important appointment. It's the third highest post in the force. Generally a DIG commands police range. But some times very important responsibility are given to a DIG by the Inspector General of Police. To be a DIG or upper the DIG people must have to pass the Bangladesh Civil Service (BCS) exam. Then he/she appointed as an Assistant Superintendent of Police, after that additional Police Supper, then he/she have to prompted to Police Supper, then Additional Deputy Inspector General and then Deputy Inspector General. If he/she performed well and the Home ministry thought, then they can promoted to Additional Inspector General to Inspector General of Bangladesh Police (IGP). The post is equivalent to the Officers hold the rank of Joint Secretary to the government and Colonel. Kenya In Kenya, a Deputy Inspector-General of Police is a three-star rank of the Kenya National Police Service. (S)he is immediately below the Inspector-General and immediately above the Senior Assistant Inspector-General. Two officers hold this position and they command the Kenya Police Service and the Administration Police Service respectively. Malaysia In Malaysia, a Deputy Inspector-General of Police is the second most senior rank in the Royal Malaysia Police, ranking below an Inspector- General of Police and above a Commissioner of Police. Officers in this rank wear the sultan's-crown insignia over four five-pointed stars (in a diamond shape) over crossed baton and kris. Pakistan In Pakistan, a Deputy Inspector General of Police is a three-star rank of the Police Service of Pakistan. Sri Lanka In Sri Lanka, according to the Police Ordinance, the rank of Deputy Inspector General is the second most highest position in the Sri Lanka Police Force. An officer in this rank is responsible for the policing of a Range which constitute a geographical area of two or more Police Divisions commanded by a Superintendent administrating few police districts, in charge of Asst. Superintendents, composed of number of police stations. In terms of section 21(3) of the Police Ordinance 'Inspector General of Police shall be deemed to include a Deputy Inspector General of Police'. References Police ranks of India Police ranks of Kenya Police ranks of Pakistan Police ranks of Sri Lanka One-star officers "
"Novecento Italiano () was an Italian artistic movement founded in Milan in 1922 to create an art based on the rhetoric of the Fascism of Mussolini. History Novecento Italiano was founded by Anselmo Bucci (1887–1955), Leonardo Dudreville (1885–1975), Achille Funi, Gian Emilio Malerba (1880–1926), Pietro Marussig, Ubaldo Oppi, and Mario Sironi.Roh et al. 1997, p. 296. Motivated by a post-war "call to order", they were brought together by Lino Pesaro, a gallery owner interested in modern art, and Margherita Sarfatti, a writer and art critic who worked on Italian dictator Benito Mussolini's newspaper, The People of Italy (Il Popolo d'Italia). Sarfatti was also Mussolini's mistress. The movement was officially launched in 1923 at an exhibition in Milan, with Mussolini as one of the speakers. The group was represented at the Venice Biennale of 1924 in a gallery of its own, with the exception of Oppi, who exhibited in a separate gallery.Roh et al. 1997, p. 297. Oppi's defection caused him to be ejected from the group,Roh et al. 1997, p. 298. which subsequently split and was reformed. The new Novecento Italiano staged its first group exhibition in Milan in 1926. Several of the artists were war veterans; Sarfatti had lost a son in the war. The group wished to take on the Italian establishment and create an art associated with the rhetoric of Fascism. The artists supported the Fascist regime and their work became associated with the state propaganda department, although Mussolini reprimanded Sarfatti for using his name and the name of Fascism to promote Novecento.Saviona Mane, "The Jewish mother of Fascism", Haaretz, 6 July 2006 The name of the movement (which means 1900s) was a deliberate reference to great periods of Italian art in the past, the Quattrocento and Cinquecento (1400s and 1500s). The group rejected European avant garde art and wished to revive the tradition of large format history painting in the classical manner. It lacked a precise artistic programme and included artists of different styles and temperament, for example, Carrà and Marini. It aimed to promote a renewed yet traditional Italian art. Sironi said, “if we look at the painters of the second half of the 19th century, we find that only the revolutionary were great and that the greatest were the most revolutionary”; the artists of Novecento Italiano “would not imitate the world created by God but would be inspired by it”. Despite official patronage, Novecento art did not always have an easy ride in Fascist Italy. Mussolini was personally uninterested in art and divided official support among various groups so as to keep artists on the side of the regime. Opening the exhibition of Novecento art in 1923 he declared that “it is far from my idea to encourage anything like a state art. Art belongs to the domain of the individual. The state has only one duty: not to undermine art, to provide humane conditions for artists, to encourage them from the artistic and national point of view."Braun, E., Mario Sironi and Italian Modernism: Art and Politics under Fascism, Cambridge University Press, 2000, p.1 The movement was in competition with other pro-Fascist movements, especially Futurism and the regionalist Strapaese movement. Novecento Italiano also met outright opposition. Achille Starace, the General Secretary of the Fascist Party, attacked it in the Fascist daily press and there was virulent criticism of its “un-Italian" qualities by artists and critics. In the 1930s, a group of professors and students at the Accademia di Brera established an opposition group to Novecento Italiano. Among them was the director of the academy Aldo Carpi, and students Afro, Aldo Badoli, Aldo Bergolli, Renato Birolli, Bruno Cassinari, Cherchi, Alfredo Chighine, Grosso, Renato Guttuso, Dino Lanaro, Giuseppe Migneco, Mantica, Ennio Morlotti, Aligi Sassu, Ernesto Treccani, Italo Valenti, and Emilio Vedova (and later Giuseppe Ajmone and Ibrahim Kodra), with participation from Trento Longaretti, who wasn't involved in the foundational discussions because he returned to his hometown Treviglio by train after classes. This movement became known as Corrente, which also published a magazine by that name. By 1939, a famous editorial in the magazine stated the group's opposition to fascism, Novecento Italiano, and Futurism. The unity of the group depended much on Sarfatti and it weakened in her absence from Milan. When she was distanced from Mussolini, in part due to the anti-Semitic ordinances of 1938, the group fell apart and was formally disbanded in 1943. Artists of the Novecento * Giacomo Balla * Anselmo Bucci * Pompeo Borra * Aldo Carpi * Carlo Carrà * Felice Casorati * Giorgio de Chirico * Raffaele De Grada * Fortunato Depero * Antonio Donghi * Ercole Drei * Leonardo Dudreville * Achille Funi * Virgilio Guidi * Achille Lega * Gian Emilio Malerba * Arturo Martini * Pietro Marussig * Francesco Messina * Giorgio Morandi * Ubaldo Oppi * Renato Paresce * Siro Penagini * Gio Ponti * Gino Severini * Mario Sironi * Mario Tozzi * Francesco Trombadori * Adolfo Wildt See also *Corrente di Vita *Valori plastici *Return to order *Scuola Romana Notes References * Braun, E. (Editor): Italian Art in the 20th Century, Prestel-Verlag, Munich, 1989. * Cannistraro, P.V. and Sullivan, B.R.: Il Duce’s Other Woman, Wm. Morrow, New York,1933. * Correnti, C.: Cento Opere d'Arte Italiana. Dal Futurismo a Oggi, Galleria Nazionale d’Arte Moderna, Roma, 1968. * Della Porta, A.F.: Polemica sul “900”, Risorgimento Artistico Italiano, Milano, 1930. * Formaggio D. et al.: Il Novecento Italiano, 1923 - 1933. Gabriele Mazzotta, Milano, 1983. * Hulten P. and Celant, G. (Editors): Arte Italiana, Presenze 1900 - 1945, Bompiani, Milano, 1989. * Roh, Franz, Juan Manuel Bonet, Miguel Blesa De La Parra, and Martin Chirino. 1997. Realismo mágico: Franz Roh y la pintura europea 1917-1936. Valencia: Ivam, Institut Valencià d'Art Modern. 1997. (Spanish and English) * Sarfatti, M. (Editor): Catalog of the Seconda Mostra del Novecento Italiano, Palazzo della Permanente, Milano, 1929. * Il Novecento Italiano * Oxford Art Dictionary Modern art Italian art movements Neoclassical movements "
"Zoltán Fodor (born 29 July 1985 in Budapest) is a Hungarian Greco-Roman wrestler, who won a silver medal at the 2008 Summer Olympics in the 84 kg weight division. External links * Beijing 2008 Profile 1985 births Living people Sportspeople from Budapest Olympic silver medalists for Hungary Olympic wrestlers of Hungary Wrestlers at the 2008 Summer Olympics Olympic medalists in wrestling Medalists at the 2008 Summer Olympics Hungarian male sport wrestlers "